That said, it's certainly possible to run 7th Sea picking and choosing the elements we like and transplanting them as we see fit, and we're attempting to do just that, but there is one aspect from the core book that we have wholeheartedly embraced: heroism. 7th Sea is a game about heroes, a fact which is even reinforced in the mechanics. Examples include:
* When PCs perform "evil" actions they lose Reputation score. When their Reputation reaches a certain point they become NPCs under the GM's control and the player must create a new character.
* NPCs are divided into Brutes, Henchmen, Villains, and Heroes, each of which has separate mechanics and are treated differently.
* Characters are not killed by default - even the strongest attacks will only knock someone unconscious unless another character deliberately takes a separate action to kill him or her. Thus even the most thuggish warrior subdues his or her opponents rather than resort to lethal violence.
Leaving aside all the various genres depicted by the supplements, this is very in line with the heroic swashbuckling genre depicted in the core book. The problem, however, comes about when players can't step outside that genre. Is it heroic to play a hero if one doesn't have a choice?
In "Grand Theft Auto and the Problem of Evil," Stokes makes the claim that morally correct actions without the free will to choose them are morally neutral and therefore it is the ability to choose good, or at least refrain from choosing evil, that demonstrates morality. He puts it quite succinctly, "... Grand Theft Auto is the most moral video game ever created. After all, no other game allows us to choose not to murder prostitutes."
Now 7th Sea doesn't give you that choice. One can murder prostitutes once or twice, but very quickly the character is taken away as an NPC and the players is forced into playing a hero. By Stokes' standard 7th Sea characters are amoral because while they are defaulted into doing good they never have the opportunity to choose good, and it is the choice that ultimately matters. This directly contradicts John Stuart Mill's utilitarianism that states the most good for the most people is good regardless of what caused it to arise.* Mill would say so long as players aren't murdering the prostitutes, it doesn't matter why and players are good for it. We might imagine that Stokes would counter with the argument that the player is no more moral than a dustbin: the prostitute is not murdered as a result of impotence on part of both the player and the dustbin, not because of any moral choice.
This is not a merely academic question but one that pertains to both how the game is written and how people enjoy the game. It is the difference between a novel where the plot occurs exactly as the author intends and an interactive experience where the participants make choices that affect the outcome. By definition, this makes the characters important because their actions - the actions they choose - are important in as much as they affect the world. A character who can choose to engage the pirates with cannon fire or a boarding party of marines is only choosing method, but the engagement itself is only significant if the character could also have chosen to allow the pirates to ransack the town or even sell out the town and join the pirates. In this example, the player is destined to fight the pirates no matter what.
The limitations need not be that extreme, however. While 7th Sea prohibits morally negative options, it does permit morally neutral options. Thus the player cannot choose to join the pirates (although he could pretend to join them so he could work as a spy or saboteur), but he could choose to pay the pirates a ransom, recruit others to fight the pirates, or let them sack the town while he works on a long-term plan to stop them further down the line. He could even choose to ignore the pirates. In this sense the character has free will to make choices, excluding a certain limited subset of villainous or evil choices. As such, the character has as much free will as people in most modern societies: able to make whatever choices they like within the boundaries prescribed by their societies; in other words, I have free will though I'm no more free to murder prostitutes than the 7th Sea character but my limitations are enforced by police rather than a GM.
This does restore a sense of significance to the players' choices, though the significance is more limited than total free will. How much that appeals to a given player will vary by players' taste but that brings up the concept of meta-morality which forms the crux of my argument. 7th Sea is a moral game, even more so than Grand Theft Auto, because the player has chosen to play it.
As a player I can choose to play whatever game I like. I can play an evil D&D game and portray a burning, pillaging, evil necromancer, during which it is probable I will murder a great many people, prostitutes among them. I can play Grand Theft Auto where I may or may not murder any prostitutes. Or I can choose to play 7th Sea wherein no prostitutes are murdered. If I choose the latter, I have preemptively saved those (fictional) prostitutes, whereas in GTA I am exposing them to my unknown future whims.
Consider vehicular homicide in conjunction with drunk driving. We recognize that a person cannot be held accountable for actions they did not have control over, but we still consider drunk driving a morally negative action. It doesn't matter that the driver did not have the motor coordination to avoid an accident nor does it matter that the driver lacked the inhibitions to restrain himself from driving while lacking said coordination. We hold the driver accountable because he did not restrain himself while still sober. A driver who turns over his keys to a designated sober friend prior to drinking is moral because he is making a choice to limit his future actions in such a way that precludes potentially harmful actions. It is the self-imposed limitation that is moral in this instance. Comparably, a player who chooses to play 7th Sea is self-imposing a limitation on his ability to choose villainous actions.
7th Sea characters cannot be moral but the decision to play a character in 7th Sea is highly moral.
This is where the crux of most of the player disputes we've had in 7th Sea have come from. As I've said before, not every character is right for every game, but that also means not every game is right for every character. Given how invested players become in their characters we may extrapolate that not every game is right for every player and thus not every player is right for every game. If a player wants to play a "grim and gritty" game of high drama where the PCs are constantly having to make difficult choices, 7th Sea is absolutely the wrong game, if only because the character can't necessarily make that choice. But if a player wants to play a game where he or she plays a hero and, even when the character is tempted will still do what's right in the end, 7th Sea is just about perfect.
* With extensive supporting arguments that say why it's not okay to kill 1,000 people in order to benefit another 1,001 people, which is basically the anti-Nazi qualifier.